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宋代诗人重视学习杜诗,使杜诗风格在宋代诗歌中得以重现。陈师道、陈与义、陆游等诗人学习了杜甫五言诗沉郁顿挫的风格,苏轼、苏辙的诗歌学习了杜甫七言律诗老健疏放的风格。杜甫浑涵汪茫、雄浑悲壮的七言律诗代表了杜诗七律的最高成就,陈与义学习杜诗的此类风格最为成功。此外,苏舜钦、王安石等诗人学习了杜诗萧淡婉丽的风格。宋代出现了在风格上接近杜甫的诗人,这是这个时期学杜的最大创获。
Abstract:Poets in the Song Dynasty laid great store by learning from Du Fu's poetic writing,which had engendered the recurrence of Du Fu's poetic style in the Song Dynasty poems.Poets like Chen Shidao,Chen Yuyi and Lu You,for example,learned the deep and rhythmic style from Du's five-character quatrains;while Su Shi and Su Zhe learned the poetic style of being firm and unconstrained from Du's seven-character regulated verses.Du Fu's seven-character regulated verses,vigorous and firm,solemn and stirring,represented his highest achievements in this regard,and Chen Yuyi was the most successful poet in learning this kind of style from Du Fu's poems.Moreover,Su Shunqin and Wang Anshi learned the calm and gracious style from Du's poems.The Song Dynasty had witnessed the emergence of poets whose poetic writing was stylistically close to that of Du Fu,a major accomplishment that was attained amid the trend of learning from Du Fu during that period.
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①按此说见《瀛奎律髓》卷三十二。《陈与义集校笺》之笺注认为“其说近是而未确”,以为“‘云移白鹭洲’,盖有慨于朝局之中变也”。本文以为似以《瀛奎律髓》之说较为恰切。
①莫砺锋认为:“‘王荆公体’是指王安石诗的独特风格而言的,它的主要风格特征是既新奇工巧又含蓄深婉,其主要载体是他晚期的绝句。王荆公体既体现了宋诗风貌的部分特征,又体现了向唐诗复归的倾向。王安石在建立宋诗独特风貌的过程中作出了很大贡献,但是最能代表宋诗特色的诗人却不是他而是苏、黄。”见莫砺锋《论王荆公体》,《南京大学学报》1994年1期23页。
②关于王安石晚年诗风变化及其原因的论述见徐雪梅《谈王安石晚年的诗风》,《广播电视大学学报》2000年4期59页;方建斌《论王安石后期诗风转变的原因》,《殷都学刊》2001年3期67页;聂风云《论王安石晚年的心境、诗境与诗风》,《渭南师范学院学报》2004年4期58页;高林清《心灵深处的痛苦挣扎——王安石晚年绝句解读》,《阴山学刊》2004年5期37页。
基本信息:
中图分类号:I207.22
引用信息:
[1]左汉林.论杜诗风格在宋代诗歌中的再现[J].南阳师范学院学报,2012,11(10):40-45.
2012-10-26
2012-10-26