南阳师范学院学报

况周颐在理论建设上以“别用眼光”为女性词开辟独立批评空间，将顾太清词推举为女性词之典范。但顾太清词“深稳沉著”的特色超越了一般女性词的性别限制，促使况周颐在具体批评实践中又以“同用眼光”将其词作纳入“重、拙、大”的经典词学范畴之中。况周颐对顾太清词“别用”与“同用”相结合的批评方式，不仅丰富了其词学理论体系，更将顾太清推举至“李清照后第一女词人”的经典地位。况周颐的这种批评实践，为如何在关注性别特质的同时兼顾词体本位，提供了值得借鉴的思路。

In his theoretical construction, Kuang Zhouyi carved out an independent critical realm for female Ci-poetry by advocating “adopting a gender-specific lens”, and hailed Gu Taiqing's Ci-poems as the paradigm of female Ci-poetry. Nevertheless, the distinctive feature of Gu's Ci-poems—“profound stability and composed depth”—transcended the constraints of gender. This prompted Kuang Zhouyi to integrate her works into the classic Ci-poetic framework of “weightiness, simplicity and grandeur” with “a gender-neutral lens” in his specific critical practice. This dual-pronged critical approach, combining the “gender-specific” and “gender-neutral” perspectives, not only enriched Kuang's own Ci-poetry theoretical system but also elevated Gu Taiqing to the canonical standing of “the greatest female Ci-poet after Li Qingzhao”. Kuang Zhouyi's critical practice offers profound enlightenment for us to emphasize the “Ci-poetry-centric essence” while acknowledging the unique gender attributes of literary works.