南阳师范学院学报

郝少洲《今古一炉室谈词》为民国后期报刊词话，呈现出新旧融汇的面目，与前一阶段的词法著作有较大差异。其在文本形式、批评手法上呈现出典型的传统特征，但在词学思想的层面上又表现出现代意识与创新意识。《今古一炉室谈词》有着极强的时代关切，词话针对时代而作，填词也应积极入世入史；对前人词话有着深入的反思和批评，体现出一定的现代学术意识；郝少洲借传统儒家“诗六义”之说提出“词有六义”的主张，且认定“六义为六法”,在词的创作手法和内容上提出要求；同时，郝少洲承继了传统文学批评中象喻批评的手法，呈现出生命化批评特征，设喻丰富、譬喻精当，增加了《今古一炉室谈词》本身的文学性。要而言之，郝少洲《今古一炉室谈词》在民国词学史上有着不可忽视的意义。

Hao Shaozhou's Jin Gu Yi Lu Shi Tan Ci(Discussions on Ci-Poetry from the Study of Blending Past and Present) is a collection of Ci poetry from newspapers and periodicals in the late Republic of China period, presenting a blend of the old and the new, which is quite different from the previous stage of Ci poetry works. It shows typical traditional characteristics in terms of textual form and critical techniques. However, at the level of Ci thought, it also demonstrates modern consciousness and innovative consciousness. Jin Gu Yi Lu Shi Tan Ci has a strong concern for the times. The lyrics are written in response to the era, and the lyrics should also be actively involved in the world and history. There is a profound reflection and criticism of the words of predecessors, demonstrating a certain modern academic consciousness. Hao Shaozhou, drawing on the traditional Confucian theory of the “six meanings of poetry”, put forward the proposition that “there are six meanings in Ci poetry”, and recognized that “the six meanings constitute the six principles”, setting requirements for the creative techniques and content of Ci poetry. At the same time, Hao Shaozhou inherited the technique of metaphorical criticism in traditional literary criticism, presenting the characteristics of life-oriented criticism. His metaphors are rich and precise, enhancing the literary quality of Jin Gu Yi Lu Shi Tan Ci itself. In conclusion, Hao Shaozhou's Jin Gu Yi Lu Shi Tan Ci holds an indispensable significance in the history of Ci poetry studies during the Republic of China era.