南阳师范学院学报

刘毓盘词集《濯绛宧存稿》有三种刻本、一种抄本，分别刊于清宣统元年六月至三年秋间、民国初年、民国八年秋至九年季冬间，抄成于光绪三十三年冬至宣统元年六月间。他早期词作的主题之一是抒写悼亡，格调哀伤，鼎革后倾向于填制如闲适、感怀一类的作品，基调平缓，原因在于社会生活现实和人生态度的改变。他的《喜迁莺》(史梅溪体)是通过依词填词的方式写成的，在《词律》等词谱影响下的清末民国，依词填词仍与依谱填词共存并用，可靠的版本是准确依词填词的保障。

Liu Yupan's ci collection Zhuo Jiang Yi Manuscript exists in three engraved editions and one manuscript copy. The engraved editions were published during June of the first year of the Qing Xuantong era to autumn of the third year, early years of the Republic of China, and from autumn of the eighth year to midwinter of the ninth year of the Republic era respectively. While the manuscript copy had been completed from the winter solstice of the 33rd year of Guangxu to June of the first year of Xuantong. One major theme of his early works is mourning, characterized by a melancholic tone. After the dynastic transition, he tended to compose works of leisure and and reflection with a gentle tone due to changes in social reality and his life attitudes. Liu Yupan's Xi Qianying(following Shi Meixi's style) was composed by writing new lyrics to existing tunes. During the late Qing and early Republic period, when works like Cilv influenced poetic forms, composing Ci by following existing tunes coexisted and were used alongside composing by following rhythm patterns. Reliable editions were crucial for accurately following this lyric-writing approach.